So. I’ll just say it. As far as my mental health goes, October and November 2019 put me in the worst state I’ve ever been in. I experienced lots of emotions I didn’t know I was capable of, and, well, it was rough. Only two people have any idea how bad it got, and not even they know the true extent. Luckily now, nobody has to know.
I felt like I was actively drowning and that in my flailing to grab anything—anyone—I would merely drag them down with me. I almost lost a very important battle before I even realized I was at war. I learned some things, but most terrifying of all was that it came and went with no specific warning or trigger, and with that knowledge comes the fear that it could strike again. I think the worst is over, but since I don’t know how it happened, I also don’t know what I can do to prevent it in the future. Either way I’m glad it’s behind me. I just wanted to let you know why I was so vacant last month. I’m still in recovery.
And so, the Monthly Update Topic Order™: blog, writing plans, work, school, D&D, video games, reading/listening, and other things.
I’m still going to do my best to update once a month. I have some story ideas and some blog posts I’d like to share, which doesn’t happen a whole lot. Maybe next year I’ll have more to talk about, but if that doesn’t happen, I’m actually going to take the blog off the monthly updates, as the cadence of once a week has suited me well for several months now.
I’m still chugging away at the same writing projects. My Lisa Stenton screenplay has finished a preliminary second draft (though I still need to make a few passes to “finish” it as a full draft), and I’m probably going to put that on the shelf soon. I still don’t really like it, even with all the changes I’ve made from the first draft. There’s something about the world of Lisa Stenton that doesn’t sit well with me. I don’t like the magic system (or lack thereof) and how the supernatural ties to it. It’s the only thing that has ever held me back from writing more of that story, and the only reason this screenplay kind of works is because it has very little actual magic.
Other than that, the second anthology is probably not going to be published until the beginning of next year at this rate. With all that’s happened, I feel like I’ve lost a month and a half of writing time, but it is what it is.
Work has been fine. I’m not going to share details, but we’ve actually had several strong months in a row, as far as sales go, which is increasing morale and making the whole atmosphere a lot easier to bear.
Not much to say about school, but I only have a few classes left before I finish… maybe forever. That hadn’t occurred to me until I just wrote that. These next couple class sessions might be the last time I’m in that environment period. At least for a long while. Huh. By this time next month I will hopefully be sitting pretty on two AA degrees.
D&D has been going great. We’re almost closing what I’m calling Chapter Three of the Knights of Fire campaign. (The only one of five that I am not the DM for.) We’ll be taking a break from that for a couple of months to play in another short campaign before we resume with this story and, by extension, my role as dungeon master. I’ve already got the juices flowing as to How Chapter Four will start and what the main story beats will be.
I’ve been devoting the vast majority of my time playing WoW: Classic still, and let me tell you, in the last month, our guild has become a family. I can’t put it into words in a concise manner, but… I love the feeling that I’m part of a team and that people are talking about me when I’m not around. That’s part of my goal for regaining the sanity I lost in October and November. I’m planting the seeds that will make me feel like I’m important to people. I wouldn’t say I feel like I’m an essential part of the crew, but… I hope I will be in time.
Not much to say about listening. I’m keeping pace with Critical Role as well as I can, and that’s about it.
Not much else to say.
Critical Role, a weekly livestream of D&D I’ve already dedicated 
As for aspects specific to Critical Role, and to explain why it holds a special place in my heart over any other D&D show, the first component to this is the cast of the show itself. Every player in the game is a notable and respected voice actor, and I knew over half of them when I first tuned in (by the sound of their voice if not their name and appearance itself). These people have all had a hand in creating the games and shows I’ve dedicated so much of my life to (the aforementioned World of Warcraft is certainly pretty high on that list). So because I recognized their voices, I was already familiar with them. I already know these people, and this is an opportunity to know them better.
really has an effect on you. It’s really difficult not to feel like part of the reason that they do this show is for you—and not in that “we do this for the fans” sort of way, but in a genuine way. They show fanart on stream and have hired fans to be part of the tech and have quite literally built a community founded on love and respect for one another as much as D&D. Sure, not everyone is as loving or respectable as the cast, but the vast majority of voices I’ve seen in the YouTube comments or on Reddit have been supportive and, in general, awesome.
KR Cooley 