Me — March ’18 Update

I’ve been pretty swamped with work lately. The last few weeks I’ve kept a notepad near my desk with a to-do list, because I’ve been having trouble keeping track of everything that needs doing. Because of that, the list always seems to be disappointingly long. I’ve been managing, though, and while I’ve run the risk of burning out and crashing a few times, I’ve managed to teeter on the edge quite well so far.

And as always, here’s the Monthly Update Topic Order™: blog, writing plans, video games, reading/listening, school, and other things.

Like last month, no blog changes are planned. I feel as though I’ve found a schedule that works really well with my school semester and work load. I’ve been posting “Me” posts pretty much every Wednesday even though they’re freebies, but that’s mostly because not a whole lot of “different” things have happened lately. I haven’t been playing D&D the last two months, for instance. I also don’t know what I’m going to do about Sunday posts. I’m not ready to dive back into Spear Gate. In fact, I’m writing this before Sunday’s post. I don’t have a clue what I’m going to do (or what I will have done, as you would see it). I’ll figure something out, obviously. I don’t want to just not publish on Sundays. Wait, I’ve got an idea. More on that later… Well, I mean yesterday, for you.

Which leads me to my writing plans. They’re pretty short and simple. I plan on outlining Part One of Spear Gate soon, and then going back to work on it. Lots of stuff will be different. I’m pretty sure I’m going to have to rewrite it from scratch for the most part. Lisa Stenton is doing pretty well. The second story was hard to write, and I’m hoping March’s won’t be so difficult. They also obviously need work, and if I’m going to publish twelve as a short story collection, they’ll need some serious edits. But as of now I’m still enjoying it and I think I’m certainly up to the task.

Video games. Not a whole lot to say, actually. I’m still mostly playing Heroes of the Storm and Hearthstone. I’m eagerly awaiting the next expansion for the latter, because I’ve got a bunch of in-game money saved up for card packs. I’ve also been playing Dungeon of the Endless, but less so the last few days. It takes a big time commitment to play properly.

In conjunction with whenever I’m playing games, I’ve also had the time to (finally) relax and listen to podcasts, too. I’ve caught up on Writing Excuses, and I’ve also been listening to Julian Smith’s new podcast: Spellbound. Each episode is basically an in-depth discussion about a different topic such as space, psychology, technology, etc. The content isn’t out of the park amazing, but since I could start with Episode One as it aired, I’ve been keeping up. It’s nice to not have to play catch-up, like I’m still doing with Voice Acting Mastery. I’m still about two dozen hours away from being up-to-date with that one, as I’m at December of 2015 at the moment. Luckily that one doesn’t post a whole lot of new content. I’m not reading anything physically at the moment. I’d be lying if I said I didn’t have the time, but reading has always felt like a chore, and with how busy I am, I just need to relax with my free time.

School has been fine. Actually, most of my classes allow me to express myself alongside peers in different ways, so that’s interesting. I have a writing class, an acting class, and a costume design class. None of them are as high maintenance as my classes were last semester, so I’m not stressing out over it. Being at school literally all day two days a week is exhausting, but it could be worse, of course.

Just as a parting thing, I just want to mention how much can change for me in the next few months. If everything goes exactly how I want it to, I’ll be travelling no less than three times this year, and that alone has me excited. I want to start doing more and seeing more, and just generally getting more out of life. I still like video games, but sitting at home and playing them all day makes me uneasy now, even if I have a day off. I have no news to report for now, but hopefully the May and June 2018 updates will be fun.

 

Review — Dungeon of the Endless

Dungeon of the Endless is weird. I played it for the first time yesterday (well, two days ago as of this publishing), and the only reason I did play it was because a friend bought it for me and wanted to play it with me. I actually had zero interest in it. We booted up the game, it’s pretty small, and then while I was looking at stuff he just started talking/explaining.

I’ll be honest. I wasn’t really listening. I was in a weird mood where I was sort of tired so the enjoyment I was getting was pretty much solely just spending time with a friend (and brother). The game isn’t really fast paced, so it worked. I could just follow orders as he told me to walk in that room, put on this item, etc. Somewhat through osmosis I slowly started picking up the controls and the objective, and I have to say…

This game is amazing. It just does so much right for an indie game. Let me explain how it works. Imagine you’re in a giant tower infested with monsters that want to murder you. The only way to get up is to power the elevator, but the elevator is in a different part of the building on every single floor, so you have to carry the power source to it on every single floor. Problem is, there’s monsters everywhere. Trying to kill you, naturally. So you have to build defenses and power generators while you explore the floor, looking for the next elevator and (hopefully) not running into too many monsters.

Sound boring? Well, obviously it’s a bit more complicated than that. Each room you enter is randomly generated. It could have food you need. It could have an adventurer you can recruit (randomly finding them is the only way to unlock them). It could maybe be encapsulated by a toxic cloud. The fun never stops! You could have an amazing layout on one floor, have it be a cake walk and saunter into the next floor, only to find that you have no way of powering any of the rooms and there’s just too many monsters. The power of random.

It’s just a blast for a variety of reasons. It’s multiplayer friendly (up to 4 player), and is pretty much the same experience regardless of how many people play. If you’re playing single player you control four guys, and if you have three friends playing with you each of you control one guy. The game isn’t fast paced, there’s a lot of strategy involved, so if one of you wants to take a bathroom break or needs to go do something real quick, they can give control of their hero to somebody else and the others can keep playing. (Also, it’s soundtrack is great. The whole aesthetic of the game, especially the music, reminds me of Faster Than Light. Which, I’m just now realizing, I never reviewed! Next week.)

Is it without faults? Of course not. It’s biggest drawback is that in order to win a playthrough, you have to dedicate anywhere from 4-6 hours, because each of the 12 floors can take upwards of half an hour, assuming you don’t die. You can save it and play later, but you’ll probably forget what modules you’ve researched and what your characters were good at. Also, the interface isn’t the best. If you’re in a room with a dozen monsters and two friends, it can be really hard to tell how much health each of your characters have. And switching between characters you control can sometimes be a pain, too. The wording of items is suboptimal, too. You can see an item in a shop that says “Gives ‘Pack of Dogs’ Skill”, but without knowing off the top of your head what that skill does, the only way to find out is to buy it (or use the internet).

I’ve had the game for two days (one and a half, really), and I’ve already put 16 hours into it. It’s just a fantastic game, and if you have the time, it can be both mentally challenging and physically relaxing.

Parting warning. The game has two difficulties: “easy”, and “too easy”. I’ve never won on easy.

Me — Spending Time

This post is sort of a ramble. It’s neither a rant nor a lecture: just talking about me and my lifestyle.

I’m one of those people that isn’t ever satisfied if I’m only doing one thing. If something doesn’t require 100% of my focus, then I’ll almost certainly be doing something else in addition to it. Usually this means podcasts while playing video games, driving, drawing, etc. The last several weeks I’ve had nothing better to do, so I blasted through Oathbringer while I played a ton of Heroes of the Storm.

It’s sort of odd, because I feel like I’m wasting my time if I’m only doing one thing at a time (with the exception of writing, of course). I get virtually nothing out of playing Heroes, so even that sometimes feels unproductive. Couldn’t I be doing something better with my time while I listen to audiobooks? Like laundry, or general house tidying?

I know this probably sounds a bit crazy. I’m totally aware of how obsessed I am with this much constant productiveness, but it’s also who I’ve grown comfortable with being. If playing a video games with an audiobook in the background feels unproductive, I bet you can imagine how it feels when I’m not even listening to that audiobook. But this means I’m always getting things done.

Recently I’ve also taken on meditation, which interacts very strangely with that philosophy. Meditation is all about stopping and just enjoy the moment—doing absolutely nothing. I’ve heard lots of great things about meditation in the past, and while I do feel its helped me be more present in the moment, I don’t think it’s been groundbreaking as far as changing my lifestyle. Admittedly, it can still feel like a chore sometimes, but it works pretty well with reducing spikes in anxiety.

I’ve found that this whole mindset of “everything must have a productive purpose” is hard for other people to understand. I don’t really watch TV shows. If you want to get anything out of it you can’t do anything on the sidelines, and they’re often dozens, if not hundreds of hours long. Movies can be okay—you get through the entire beginning and end of the story in less than three hours—but even then I don’t make a habit of watching them. If I could, I’d watch classic movies a lot, though. I feel there’s a lot I could get out of them, it’s just hard for me in particular to get access to them.

And yet, where has all this gotten me? I personally don’t think this has given me any sort of upper hand among my peers as far as experience goes. If somebody asks me what I’ve been doing with my time not watching the shows and movies everyone has seen, I really wouldn’t know what to tell them. I wouldn’t say I’ve read a large amount of audiobooks, or played lots of different kinds of games. I don’t feel as though I’m much further ahead than anyone my age, really.

I suppose that’s probably pretty good. Maybe it means that no matter what you do or what you’ve done, somebody my age still has all the time in the world to be or do something completely new and worthwhile.

Review — Battle Chasers: Nightwar

It’s been a while since I’ve played a traditional turn-based RPG. I mean, my favorite video game ever is Dragon Quest VIII, which was released over 13 years ago, and I honestly haven’t played many games in that genre since. (Dragon Quest XI still has no western release date, but it’s on the agenda.) So here’s a (mostly) spoiler-free review of the game!

So when I got my hands on Battle Chasers, it was like an itch that hadn’t been properly scratched in a long time. The last JRPG I’ve actually put time into is probably the original Suikoden, and it’s been several years. Now I didn’t know much about Battle Chasers going into it, I just knew that the art was cool and some online people I enjoy praised it. When I found out it was a turn based I was delighted.

This game was just a blast from start to finish. The opening cinematic(s) did a great job establishing the personality of each of the characters, and it did some interesting role reversals that were cool to see. As I played it, I found that the game really had everything I wanted: a meaningful progression of power (leveling up is really impactful to the experience), a sense of exploration, rewarding the player for being investigative, a clear sense of what being a completionist would entail (meaning “what can I do to see all there is to see?”), and challenging them with optional puzzles and quests.

This game was also a lot longer than I expected it to be. It took me 45 hours to beat it 100% (not New Game+), and if I had the time I would have no qualms with going through it again. New Game+ is cool because, while it isn’t necessarily “harder”, you can much more easily get Legendary quality gear and feel powerful, even if the monsters you’re fighting are 6 levels above you (when the maximum level is 30).

My favorite thing about this game was that it had time to put in lots of unnecessary things. All of the dungeons are randomly generated, so the puzzles you see the first time will be different when you revisit it. (This is a double-edged sword I’ll get to in a moment.) It has lots of side quest type things that feel rewarding. There’s also lots of cool lore books that are interesting reads, and the narration in general can be pretty sassy.
Ex: The game gives you an option to throw money down a well. When you throw 1000g in (a good chunk if you’re about a third of the way through the game), the narrative replies with something along the lines of “You have enough gold to feed an entire village for about a month, but you decide it’s best wasted by throwing it into a well.” It’s neat because this game very much adopts the philosophy of “just because your character can do it, doesn’t mean it’s the right choice to make”. A lot of the game actually seems to be modeled as a Dungeons & Dragons type adventure.

 

 

I do have two problems with the game, though. The first is that it can be somewhat unclear with the consequences of something. When you find an artifact, the game makes a big deal telling you that they’re valuable, which implies you should keep them, even though you have the option to sell them for a different type of currency. What it doesn’t tell you is that this is literally the only use for artifacts. They’re meant to be sold. Don’t hold on to them. What’s more, some of the optional bosses can be encountered accidentally if you’re “adventurous” enough, and there’s actually no way to know the power level of what you might be getting into. (There’s a mini boss in one area that’s four levels higher than the monsters inside, and he has a passive of reducing the party’s healing by 50% when you’re fighting him. He’s no joke!)

By far my biggest gripe with the game is how the “random” tiles in dungeons are placed, though. There’s a random encounter in the first dungeon with a skeleton, and you can choose to help him or refuse. If you refuse, he attacks you. If you help him, you can find him (randomly, again) in a later dungeon, and he attacks you there. Here’s the problem. Neither of these events are guaranteed to spawn in either dungeon. And what’s more, you have to do the first dungeon at least twice in order to take both options, because in both instances he’s a unique monster. So in order to fight every monster, you have to do it multiple times. The worst part is it was bugged for me, so I couldn’t go back to the first dungeon to fight him after I helped him in my first runthrough. So I had to do New Game+ in order to complete my monster book. This is terrible game design!

But really, it’s a fantastic game. I expected to beat it within 15 hours, but it had over 3 times that content for me. Overall it’s great, and it can be very challenging if you want it to be. Also, it has fishing. In my experience, every game that has time to add optional fishing stuff to it is going to be a good game.

Life — Upgrade!

So, I’ve finally gotten my new computer, and it’s a pretty interesting experience. All my life has been spent playing the hand-me-downs as far as video games are concerned. Usually, this means getting the old computer when my brother made a new one for himself. That is to say, the systems I had available could usually play all the newest games, but just barely. They would run poorly and the frame rate would be terrible— and this would already be at the lowest graphics settings possible.

So yesterday was the first day of an entirely new experience. When I played Overwatch, for example, there were many heroes I simply could not play. I couldn’t use sniper rifles because it required too much precision on a fast paced game. So I stuck with characters that didn’t really have to aim, and I was usually fine.

This new computer has literally transformed the way I play a game like that. I can do whatever I want, regardless of the circumstances, and now the only thing holding me back is my own skill. It feels great to be able to try new things and test my boundaries.

So, while I’ve only had it for a few days, I’m already super stoked. For me, the concept of opening a YouTube video and having the automatic quality adjuster playing HD without having to buffer is insane. My old computer wasn’t able to play seamless videos on high settings even if you gave it time to load!

One interesting thing to note is the fact that I couldn’t really even perceive graphics well enough to be jealous of other people. I would see one of my brother’s playing on his computer with high graphics and I wouldn’t notice much of a difference between what his game looked like and what my game looked like. But now that I’m doing it, I can feel how drastic the change is. It’s not even the visual aspect that I even care about. In a game like Heroes of the Storm, there were particle effects I had never experienced because of the graphics barrier. Little things like adding a targeting reticle on the ground as opposed to a highlighted circle.

As I wrote this blog post, in fact, I opened up the game. I entered practice mode, changed the graphics, restarted the game, and did it again to compare the two. This process took less than three minutes. With my old computer, it would take up most of that time just getting to the start menu!

The best part about all of this, is that it’s mine. As I said, most of my life has been spent with hand-me-downs, and indeed that’s pretty true in all aspects as I’m the youngest of six. But not only is this relatively high quality, but it’s also something I did entirely independently of anyone else (save the putting it together part). There was no charity here, nobody offering to help pay for a new computer because my old one stopped working. Just me deciding that enough is enough, and I can do this thing for myself for once.

That said, I probably won’t be doing a whole lot for myself again for a while. Computers are expensive!

Review — Thief Town

Thief Town is a fun little party game that is sort of obscure, both because how simple it is and the fact that it doesn’t have much replayability. It’s got a retro style and some unique gameplay, though, so I think it’s worth a real mention!

This is a four player retro-style arcade game. It comes complete with two buttons (aside from four-directional movement), and is purely an arena where you fight your friends. The way that the game works is you and everybody else are a bunch of thieves trying to stab each other. The only trouble is, you, your friends, and a bunch of added non-players all look exactly the same. The only way you can figure out which one is you is by correlating movement on the screen with the input you put in the controller. (Keep in mind, though, walking around in circles will make everybody notice you.) Everybody, including the AI, walk around until one of the players decides to stab. If an AI is stabbed, they fall down dead and nothing happens (except everyone can see who the murderer was, if you’re paying attention). If a player is stabbed, they bleed out and die. Last one standing wins the round, and the first to a set number of points wins.

I did say two buttons, though. Depending on the sort of game mode you’re playing, players can have access to random one-time use abilities, like smoke screen, trap, or gun. They all have various uses, such as the gun killing everybody in a straight line and the trap revealing any player that steps on it.

The game also has a few modes. You can play with or without the abilities I mentioned, you can do showdown, where there are no AIs and you just have to rely on more skillful stabbing (sometimes while the players are literally invisible!), or you can do Sheriff vs. robbers, where the Sheriff player has to shoot the thieves while they try to remain hidden and act like AIs.

There’s more, but that’s the brunt of the game. All the music is 8-bit and the game itself is very pixelated. It allows the focus of this game to be the gameplay–hiding and stabbing. You can stab everyone near you or lie in wait for people to reveal themselves by stabbing.

My favorite thing about this game is that there is an element of luck involved. The last time I played, I won two rounds in a row only to come out with exactly zero points the third game, and not from lack of trying either. Sometimes your friends just stab the instant the game starts, and they kill you. Sometimes they try to stab somebody else and they kill you instead (or also). Sometimes a giant tumbleweed rolls onto the stage and flattens you before you can get out of the way. Is it fair? Not exactly, but games happen so quickly and it can happen to anyone, so what does it matter?

I believe the game is going for $8 right now. Even with three other people to play it with (and it does have couch co-op, as is kind of necessary), it’s still a lot to ask for. This is sort of the game where you play it for a few hours and you’ve had your fill. I certainly wouldn’t pay $8 for it because I don’t think I’ve gotten 8 hours worth of entertainment out of it, maybe even combined with the people I’ve played it with. There simply isn’t that much to experience in the game.

But if you don’t mind that, it’s certainly an interesting game to pick up, and it is a lot of fun for a short period of time!

Review — Titanfall 2

Titanfall 2 isn’t a new game by any means, but I hadn’t played the campaign until recently. The production of the game went into the multiplayer, as that’s what it revolves around, but my brothers and I nagged me about playing the campaign until I finally sat down to do it. I’ll talk about the campaign first, then add a little bit at the end about the multiplayer and the new mode: Frontier Defense. There will be spoilers ahead, but they will be more about gameplay than story. Honestly though, this isn’t the sort of game you should care to have spoiled. The fun of the campaign isn’t the story, it’s the map design and gameplay mechanics.

That being said, the campaign wasn’t what I had anticipated in the slightest. With my brothers wanting me to play it so badly, I expected it to have an epic adventure with plot twists and awesome characters. But really, it doesn’t have that. There are no interesting twists, and you can guess what happens at the end of each mission if you have enough familiarity with the action genre in any form.

But the Titanfall 2 campaign is awesome. It’s simply awesome in a way I haven’t experienced. It wasn’t Halo, that had you jumping onto a Scarab or looking for Cortana on a Flood-infested ship. It didn’t have insane moments. But the map design took heavy advantage of Titanfall 2‘s gameplay, where you can double-jump and run on walls. This game is by far the most fluid and mobile FPS I’ve ever encountered, and the campaign matches it perfectly.

And then the game throws you for a loop and introduces time shenanigans. You find a device that warps you back in time, and then you have an entire level where you can go back or forward in time at will. There are obstacles that bar your way that may not be there in the past/future, or enemies trying to kill you that might be in both parts of the timeline simultaneously. For about half an hour the game almost stops being a first-person shooter and instead shifts into a puzzle platformer. Now, the puzzles aren’t complicated, but it does require you to think a bit. Not to mention the incredible aesthetic change of shifting back and forth between pristine science facility and apocalyptic rubble looks amazing.

This one level makes the campaign worth playing.

It actually makes me a little sad that that idea isn’t used more. There should be an entire game based on shifting back and forth on a timeline. It could easily be implemented into a multiplayer system, and I wouldn’t be at all surprised if it actually has been done before. In the campaign it made me feel like a superhero. Way more so than any actual superhero game I’ve ever played. So I think that’s saying something.

So, enough about the campaign. What does this game feel like? Well, I will admit that it is a lot like the less socially acceptable games like Call of Duty and, now, Halo. You’re in an arena with some teammates and some enemies, and you try to shoot them before they can shoot you.

But Titanfall has two unique things going for it. First, the mobility I’ve already mentioned has a perfection I’ve never seen before in a game like this. If you’ve seen professional gameplay of somebody running around in Pilot mode, you can really see how quickly you can move across the map just by the mechanics the game has provided to you.

The second is the game’s namesake, and that is Titans. It’s amazing how they can give a player a giant robot and have those robots feel powerful while also making them balanced gameplay wise. The game has two different modes: Pilot and Titan. You can shift back and forth several times in one game, but you can also perform just as well with no Titan.

The new game mode, Frontier Defense, is especially enjoyable for me for two reasons. One, playing against other players is stressful, and with this mode being co-op, it alleviates that. It also lets you pick a very specific style of play and stick to it. The enemy AI won’t really adapt to it, so it could be easy, but if you play on harder difficulties you better be really good with the gimmick you’re going with! Frontier Defense, surprisingly enough, also has progression! You can level up your specific Titan and unlock new abilities, and I love that sort of thing.

So, all-in-all, the game is awesome. The way I see it, it is objectively superior to a game like Call of Duty in virtually every way, and it’s a fun experience any way you play it. I would certainly recommend it if you’re into first-person shooters.

Review — Dragon Quest Heroes II (460)

With no computer, I recently bought a console game to occupy my free time. My favorite game of all time is Dragon Quest VIII, but it has remained virtually my only experience in the entire franchise (though I have played the original Dragon Warrior on the NES). Despite mediocre reviews, I decided to give this game a try for the change of pace. I do enjoy leveling and progression in any game, and the familiarity would ensure at least some enjoyment, so I got it.

And man, this game really does deserve its mediocre reviews. Don’t get me wrong: it’s fun. I’ve put over fifty hours into it so far, and I haven’t had my fill, but there are a lot of things that are weird about it.

First, the plot is pretty ho-hum. There’s a lot of things that happen, mostly misdirection, that happens simply to take you the player to new areas to fight new monsters. Kingdom A is in danger, so you have to go help them, only the danger comes from Kingdom B, who is bringing war due to a misunderstanding, meaning you have to go to Kingdom C, and so on. I’d say it’s derivative, but that’s not the right word. It’s more like the plot is used solely as a device for adventure, when this sort of game could really have worked with no plot at all. I will say, though, near the end there were a few plot twists I wasn’t expecting, so that was a nice little treat.

As far as game design goes, there’s a lot of odd things that are irking. There are mechanics that aren’t explained (getting the key that unlocks half the chests in the open-world is too convoluted for anyone to figure out on their own), and there are instances where you are punished for making the right play, or rewarded for making the wrong one. For example, there is a pitfall trap in a dungeon, and in that trap there are treasure chests. Why would you reward the player for making a mistake? That means anyone that was smart enough to avoid them would miss out on that treasure.

Despite all that, though, there really isn’t any glaring issues with the game. It’s problems are numerous, but small. My biggest grievance of all is that the two characters from DQ8 were turned into stereotypes. They didn’t feel like the people I had spent hundreds of hours adventuring with in the good old days. It makes me worry whether the characters from the other games were out of proportion as well.

This game does do a lot of cool things, though. The progression feels natural and rewarding, and it actually is challenging in a lot of parts! There were times where I had to restart the mission because it seemed super difficult, only to turn it around the second time because I had a better handle on what I should be doing. That sort of difficulty is the best!

And my favorite thing is that all the playable characters (a bit over a dozen) all have unique and fun playstyles. In a lot of hack and slash games I’m used to different characters having different combo attacks, and that’s about it, but in this game it’s way more than that. Like in Dragon Quest VIII, it’s important to have a well-rounded team filled with people who do different things. I have a mage that deals a ton of damage but has limited mana, a sword guy that does a lot of wide attacks to deal with large amounts of enemies, a healer to fix things when people get hurt or die, and a variable character depending on what you’re doing at the time. But the cool thing is that every character feels special, and even when the game sometimes forces you to select characters you may not like as much, you can still enjoy them. (As a side note, the particle effects in this game are top-notch in a lot of cases. There are some instances where the shading is off, but most of the fire, lightning, and ice attacks look awesome!)

So, is the game worth getting? Well, if you like hack-and-slash games, it’s fine. It’s story isn’t great, and it does get a bit repetitive, but if you’re fine with progression for it’s own sake, there is a lot of stuff to do even after you beat the game. There’s also a ‘New Game+’ mode I haven’t tried out yet. So there’s plenty of content to justify the value, if you’re not easily bored or frustrated, that is.

P.S. Playing a new game in the Dragon Quest franchise did get me super excited for Dragon Quest XI. Seeing all the old enemies in high resolution was nice, and I can’t wait for the upcoming release!

Review — Hammerwatch

As far as fun little couch co-op style games go, it can be hard to find ones that work these days. There’s a lot of choices, to be sure, but the abundance of choices can actually hinder the decision making process because while there are so many games, it isn’t easy to find the one that works for you and your friends.

For me, Hammerwatch is a great example of a retro dungeon crawler. It is a Gauntlet style co-op hack and slash. You each have a different class with different abilities, and you run through dungeons killing all manner of little monsters, solving puzzles and finding secrets. If you’re not careful, however, you can die instantly, so there is a risk factor.

My favorite thing about the game is how unforgiving it can be. There are different sources of threats that are more or less difficult for certain classes. There are challenging monsters that run fast and deal insane amounts of damage. Ranged classes deal with these best, usually, because they don’t have to get close. There are also swarms of enemies that shoot from a distance which are also hard for melee classes to deal with because at that point the game is a bullet hell. But the melee guys excel at dealing lots of damage to nearby enemies, so if it’s relatively safe, they can delete swarms of enemies in one blow if you time it right. Of course, there’s also traps. Spike traps kill you instantly in this game, and for whatever reason, I am really bad at maneuvering around them. They kill me a lot because I’m an idiot.

The levels aren’t random, but there are so many secrets it lends itself well to replay-ability simply because there’s bound to be loads of stuff you missed last time. The more you play, the better you’ll get, naturally. But there are also plenty of difficulty modifiers. There is the basic “Easy, Medium, Hard” settings, but you can also adjust more specific settings. You can make mana regenerate faster, or make health naturally regenerate slowly, for example. You can also make it harder, adding a shared health pool or setting everybody’s health to a maximum of one, meaning taking any damage at all will always kill you (or everybody, if you have shared health!)

My favorite thing about this game is the upgrades. As you go higher up the tower, you collect money and find stronger vendors that sell upgrades such as increased armor, increased damage, or increased life pool and movement speed. There are lots of things you can buy, and finding more secrets can make upgrades cost less in addition to giving you more money to pay for them, so its incredibly rewarding. (You can also unlock new abilities for your specific class as you get further into the game!)

As usual, I do have issues with this game, but they are sort of nit-picky. The first is that there is no random generation. I get that it’s difficult to implement secrets if the map is always different, but it feels like the sort of game that would have randomly generated levels and enemies, so the replay-ability is less in the novelty of the experience and more for the personal challenge of increasing the difficulty. As an unrelated side note, it can be almost impossible to tell what secrets do sometimes. You can press a secret button that says “A passageway has been revealed!” but there is no indication of where that might be, which will force you to backtrack all across the map in the hopes that you discover some new place. That part is a little frustrating.

My second real frustration with the game is that the “good” ending is reserved for people that know all the secrets. In order to escape the tower once you beat the final boss, you have to use “strange plank” items that you found in various places in the tower, which at first serve no discernible purpose. But, if you find all of them (you have to find all of them, too,) you can escape the castle and beat the game. And as far as I know, there’s no indication of how many there are in the dungeon in the first place. There’s twelve one for each floor of the castle.

Is the game worth it? Certainly. Full price, it’s currently worth $10, and a successful run-through of the first campaign will take over three hours, though it’ll probably take you a few tries to even get that far int he first place. I recommend it for anyone that likes hardcore games that try to kill you and your friends. It isn’t the most insanely difficult game, once you get the hang of it, but you can certainly modify it to be.

Story — Warp Drift

The Starseeker lurched as it halted its warp. The view from the pilot’s chair shifted from streaming lines of stars to a huge red landscape–a new planet. Undocumented and, likely, uninhabited. Just like all the rest.

There was no time for rest, however. The malfunctioning warp drive brought the Starseeker into the planet’s atmosphere, and already it was plummeting. It’s momentum and aerodynamic hull made its descent little more comforting than a nose dive.

With a curse, the pilot thrust back the throttle, trying to slow its descent, but it was no use: the thrusters were already off. “This ship can’t take another hit like last time,” he thought. Where was the damn parachute button?

He found it, breathing a sigh of relief, and the last emergency chutes the ship were deployed. Immediately the Starseeker leveled out, and though the jagged slopes and fissures of the planet’s surface were still magnifying at an alarming rate, at least its descent was more tangential. A rough landing was better than a fatal one.

No time for anything else. He cursed his lack of knowledge of the controls. A true pilot could properly land this ship. But then, a true pilot would never be in this situation in the first place. He squeezed his eyes shut and braced for impact.

The Starseeker landed with a horrible crunch, followed by a screeching slide as the ground ate at the ship’s plating. She was durable, but every dent and scratch was one he couldn’t repair without the right materials. In fact, with his benightedness, that might not even matter. Every piece of the ship was an asset he couldn’t afford to waste.

This was the third uncharted planet he had warped to. With a damaged warp drive, the Starseeker would warp continuously without any input or any way to deactivate it. The particular malfunction was referred to as “warp drift”, if he recalled correctly. A common problem with this model. Often a fatal one for any pilot, eventually. Even experienced ones.

The ship was the only constant these days. He could leave it behind, of course. Grab his gear and set up a camp outside, trying to tame the wilds of whatever unknown world he was on now. But before long, the ship would go, whether he was on it or not. The broken and battered vestige of civilization was the only thing he had left. He would almost certainly die without it.

But he was short on time. He had to find food. Fire. Collect resources. Repair the ship, if he could. And in the off chance he found any free time, familiarizing himself with the ship’s controls would never be a bad option. Luckily the last planet he had been on had lots of fresh water. He was well stocked in that regard, but every other resource was woefully lacking.

But, fate willing, he could survive. Perhaps if he found how to tame the wilds and the ship he could find a way to fix the warp drive. If he did that, he could return home. That was wishful thinking, of course.

But it wasn’t impossible.