Stand Bend Sit is one of those games that is really easy to explain, but actually playing it successfully can prove quite challenging. It requires a lot of coordination with the rest of your cast, but regardless of how well you know each other, everybody is going to end up confused in the end. My troupe has never gotten the hang of Stand Bend Sit. Again, it’s a simple game, but it’s really tough to nail. You’ll see why.
This is a high energy scene game specifically for three people (but can be modified for a fourth). Here’s the whole game: Construct a scene in which one person is standing, one person is bending, and another person is sitting. If one person changes their position, the others must change their position so that every position is always being fulfilled by somebody. With a fourth person, you would add ‘Lay’. Usually you get a suggestion of a location, but anything can work here.
Sounds easy, right? Only, as soon as one person starts standing up, the other two people will move to fill the gap, adding multiple seconds to get into the correct positions once more. It isn’t easy to make sure one of every position is fulfilled at all times, but what’s more is that in the context of the scene, these positions must also be justified. Why did one character stand up and make another person start bending?
One of the problems with this game is that it is very difficult to move a scene forward like this. You have no stage entrances and exits, and two of the three positions are low-energy, not conducive to making an audience laugh. You can’t very well move the scene from whatever the location is, because people have to be sitting and whatnot. You could, perhaps, jump in a weird clown car that allows for standing position, but what I’m getting at here is that it isn’t easy to establish and maintain a conflict.
The kicker here is that there isn’t anything this game brings to a stage that another game can’t do better. I classify this as a high energy game because this game always ends with people switching positions back and forth and confusing the entire scene (which, admittedly, can be hilarious). But games like Four Corners and Chain Murder Mystery can confuse the improvisers while entertaining the audience much more reliably and effectively. If you’re looking for a high energy scene game for a performance, this wouldn’t even make the Top 3.
Of course, it could simply be a case of practicing this game wrong. I’ve never seen it performed, and maybe there’s a piece I’m missing to truly understand it. As with all games, there is certainly quite a bit of fun to be had, but as far as “successfully performing for an audience” goes, this game falls short too consistently.
If my mind ever changes on this, I’ll be sure to edit it (or even make an entirely new post) to fix whatever I had gotten wrong or missed entirely.
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Knew I’ve seen Who’s Line do it: